The Harold Richardson Drawing Award was instigated in 1984 by the Royal Queensland Art Society, shortly after his Passing. Richardson himself wasn’t an artist, but had a passion for the visual arts. Both Harold and his wife Agnes, (they were married in 1953) contributed greatly to the art scene in Queensland, and in particular to the Royal Queensland Art Society.

Harold Richardson was born in 1901 and became a member of the RQAS in the 1940’s, and it wasn’t long before he became Honorary Secretary in 1948 and 1949.His brother Albert Richardson was a very good Landscape painter, and as Don Hamilton remembers: a very good watercolourist. Harold always thought he should be an artist, and he did at one time have a few lessons with Caroline Barker (Agnes’s sister), but didn’t continue. His activities in later years focused on the effective running of the society. From 1970 to 1977 he was secretary, and in 1978 became president, and held that position until 1980. His aims were to lift the standard of the society by increasing the membership, and concentrate on promoting art, both from the participation point of view and the area of appreciation. He was the society’s first Gallery Director in 1971, just three years after the society premises were built in Spring Hill. He was a tireless worker for the Society, and during his term as Director he managed to get the Annual Exhibitions in newly completed buildings in the city centre, which as Keith Bradbury noted: it brought a new visibility to the Society. In1977 he was nominated for the Queens Silver Medal and in 1981 was awarded Honorary Life membership to the RQAS.
Agnes Richardson (Barker) was born in 1907 and came from an artistic family. The family moved from Melbourne to Brisbane in 1920. In 1925 Agnes enrolled as a full time student at the central Technical College in George Street, studying painting under F.J. Martyn Roberts and pottery with L.J. Harvey. Harvey encouraged her to take up sculpture, but because of ill health she was unable to continue in this field. She gave up pottery in 1934, to focus on craft/arts, although some of her pottery was exhibited in the exhibition L.J. Harvey and his School at the Queensland art gallery in 1983. Agnes first exhibited with the RQAS in1929, and has had close association since. She was awarded Honorary life Membership in 1976. In later years she concentrated on bark painting and oriental brush painting, exhibiting both art forms with the RQAS. In January 2007, Agnes joined a very special group of people as a centenarian, having reached 100 years of age. She was still working at her art, making her own gift cards. Her success in business – as in life – seems to stem from the unique way she sees the world. I just look at things, and suddenly they become something different. With her passing in 2008, an endowment of funds from her estate was made available to the RQAS to continue the Drawing award, originally named after her husband with her name now added to the prize.
The prize is for drawing (predominantly line work), and has for the most been held as a separate exhibition. It has on the odd occasion been attached to the Annual exhibition, 1993 was one case in point. The prize has always been an open exhibition, which means any artist can enter the prize as long as they pay the entry fee. Some of the past winners include: Rodger Paine, Kath Dempsey, Ada Richardson, Sara Furness, Yuming Qin and Kathy Panton. Others fortunate to gain a Highly Commended and Commended were: Shirley Miller, Betty Cox, Mary Norrie, Dennis Freeman, Graham Readshaw, Joanne Heath, Penelope Gilbert-Ng, Frances Erskine, Peter Hubbard, Audrey Gibbs, Maaret Webb and Sue Pickford. Some of those who judged the prize include: Brian Dean, Dr Irene Amos, Pat Hoffie, Chris Saines, Julie Lloyd, George D Williamson, David Paulson, and David Henderson. These are just a few of the talents connected with this award over the years. The continuation of this award means that their names will for some time be linked to the visual arts in Queensland and the RQAS.

Greg de Silva        © Greg de Silva: February 2005, March 2010

Sources
Glen R Cooke & Deborah Edwards, L.J. Harvey & his School. Qld Art Gallery, 1983
Keith Bradbury & Glen R Cooke, Thorns and Petals: 100 Years of Royal Queensland Art Society, RQAS, Brisbane, 1988
Glen R Cooke, “Agnes Barker”(Ed Joan Kerr), The National Woman’s Art Book. Craftsman House, NSW, 1995
Information from the RQAS, Penelope Gilbert-Ng, Don Hamilton, Glen Gillard : February 2005
Phone conversation with Agnes Richardson, 20th February,2005
Royal Queensland Art Society Newsletter, May/June 2005
Amanda Horswill, Postcards from the edge of 100, Courier-Mail, 13th/14th January 2007

by Sue Gleeson, President RQAS Inc

At the recent RQAS Inc AGM, I was delighted to welcome Marion and Philip Ham as Honorary Members.  Philip has been coming to RQAS for 33 years and Marion for nearly as long.  They have been friends of and keen supporters of RQAS Brisbane, collecting many, many of our members work from our Annual Exhibitions along the way.

RQAS Fellows are not given lightly and nor should they. They have to be earnt. I was very pleased to award this years Fellows, to Joan Cooper, Ruby Eaves, Christine Kirkegard and Graham W Smith. Well done!

Sadly, we have lost 3 Fellows this year. Vale Audrey Gibbs, Charles Ludlow and Graham Readshaw.  We will miss them.

If any member would like to nominate another member as a Fellow, please see Vashti or myself for a form and submission details.

Many thanks to John Pyke for his ongoing work, simplfying and updating both the Brisbane and main body constitutions.

The By-Laws for the Fellows also need to be clarified and updated this financial year and John has kindly said he will do that as well. I trust that the Committees will work amicably in consultation with the existing Fellows to finalise as to what their new responsibilities will be.

All the best

Sue Gleeson

President RQAS Inc.

This was a marvellous opportunity for RQAS members as we have deep connections with artists who have their portrait painting exhibited in the Supreme Court. There was a good role up of members to do the tour and we were extremely well looked after by two representatives of the Court.

They greeted us at the door and conducted us first of all to the Banco Court where we were able to see the latest addition to the Court’s portrait collection. This was the portrait by Robert Hannaford of his Excellency Paul de Jersey, previously Chief Justice of the Supreme Court of Queensland and now, as Governor of Queensland, the Royal Queensland Art Society’s Patron

Description: http://www.hcourt.gov.au/media/k2/items/cache/f203d630ce0c3265f9c9461092194e6b_XL.jpg

The portrait hangs along with two  marvellous portraits by Godfrey Rivers      (past President of the Queensland Art   Society from 1892–1901, who was also  proactive in forming the Queensland Art  Gallery), as well as several portraits of  judges by Lawrence Daws and by another  past president of the RQAS, Win  Robbins.

We were also privileged to see the Lawrence Daws mural “The development of justice in Queensland”, which was very interesting in the way it traced Queensland legal history visually. I won’t try to describe the work but urge anyone interested to make a visit to the courts themselves. Mostly these galleries are available to be viewed without making prior arrangement.

We were also guided through the huge public artworks commissioned when this new Supreme Court was built. One in the Banco Court itself, was a reproduction of a work by indigenous artist Sally Gabori entitled Dibirdibi, at a cost of $240,000. Outside the entrance is a work by Japanese artist Yayoi Kusama, entitled Thousands of Eyes, at a cost $970,000. At ground floor level is a work by Brisbane artist Gemma Smith featuring coloured geometric shapes on the ceiling of the Court’s foyer. These works I have to say, were not particularly to my taste, and indeed it transpires caused much controversy at the time.

We were also taken to the Library where there is a curated collection of ‘contemporary’ art works – once again mostly not to my taste, though I was fascinated by the reverse reliefs carved by hand out of  books that had been destined for the scrap heap. We were conducted through this by one of the curators of the collection, which included a photoreal work of Michael Zavros and two works by Victoria Reichelt, a relation of our member Gayle Reichelt.

Finally we were taken to a balcony where there was most marvellous view from a great height of the Brisbane metropolis, from one end down the Brisbane River to the other towards the Southbank parklands. All in all a very interesting afternoon.

Dr. Kay Kane

DAFA(Lon),BAFA(Lon)FRQAS(Bris),DVA(Bris)

The history of the Royal Queensland Art Society “Fellows” began in the late 1960s when grading of membership was discussed by council, although it was put on the continual backburner for a couple of decades. The Society did have Honorary Life Members as well as Honorary or Privileged Members, the latter often awarded to folk who supported the RQAS for long periods of time.

However many of these folk were excluded from voting rights at AGMs and meetings. Life membership was first awarded in 1907, with renowned sculptor Harold Parker the first. Others to be awarded this honour included: Daphne Mayo, L.J. Harvey, Dr James V. Duhig, Melville Haysom, Caroline Barker, Harold & Agnes Richardson, Nan Paterson[i] and Karen Kane, the longest serving secretary with the RQAS. When the Society held its centenary exhibition in 1987, it looked again at its history and reignited the discussion of the status of members, including Fellows. In April/May, 1988 a sub-committee comprising: Betty Manzie, Ada Ludlow, Dianna Martin, Mary Norrie, Beth Woo and Sheelah Mee, along with Glenn R. Cooke from the Queensland Art Gallery once again considered Fellows as an important addition of the RQAS

The inaugural proposed list consisted of Irene Amos, Nevil Matthews, John Rigby and William Robinson to form a foundation fellowship,[ii] with additional names later being added: Dr Lloyd Rees, Margaret Olley, Don Hamilton, Patricia Prentice, Ann Thompson and Madonna Staunton.[iii] All these artists were connected to the RQAS as former members, with only Irene Amos and Don Hamilton currently active within the Society. The only artist with basically no real connection to the RQAS was William Robinson. The rules discussed were that the recipients should have made obvious commitment to the arts outside the Society as in exhibitions, awards, education, publication and the general promotion of the visual arts. All the artists mentioned here fulfilled these criteria, however the important requirement of ‘must be a member’ disqualified most of the names put forward. Betty Manzie stated: “Let’s face it – if these artists think we are so far down the road, they will not want to help us raise our standards, in which case we forget the whole thing.”[iv] Glenn R. Cooke believed that the appointing of Fellows was necessary for the future development of the Society.[v]

In August 1991 the RQAS was incorporated into the new Friendly Societies Act, with former president G. Maclean Offner rewriting the Society’s constitution, and in so doing opening the doors for the introduction of “Fellows”. On the 19 July, 1992,[vi] inaugural RQAS “Fellows” were awarded to Margaret Olley, Dr Irene Amos and Dr George D. Williamson. Margaret Olley was well known in art circles in Queensland and nationally, however her involvement with the RQAS was as a student in the early 1940s, with little involvement since. She was unable to attend the presentation due to other commitments.[vii] Dr Irene Amos had been a member of the RQAS since 1961 and had achieved many things in her career. She was the first woman to receive a Doctorate in Creative arts at the University of Wollongong in 1990 and in 1991 was awarded the Order of Australia Medal (OAM) for her services to the arts in Queensland. Dr George D. Williamson had only been a member since 1987[viii] but had been a supporter of the RQAS for many years. He had selected a number of annual exhibitions during the 1960s and 1970s, as well as presenting lectures and talks to Society members on art related topics. He promoted the arts through the Queensland Education Department and he received an Honorary Doctorate in Cultural Education from the World University in Arizona, USA in 1988[ix]. He was attached mainly to the Gold Coast branch and served as their president a number of times. On receiving this honour, Williamson said: “I shall endeavour to be a worthy fellow in the high standards and traditions of the Society”.[x]

Ada Ludlow was the first woman to be elected president of the RQAS and had an extensive exhibition history outside the RQAS. She was also the Society gallery director and in 1995 she was the fourth to be appointed a Fellow. The following year Mary Norrie was appointed, and felt honoured to be invited to join such a famous group.[xi] Seven years would go by until others would be nominated as Fellows, and in 2003 four more joined this prestigious group. At the AGM in October watercolourists Don Hamilton and Charles Ludlow, along with Audrey Gibbs and Penelope Gilbert-Ng, were presented their awards by Dr Irene Amos, assisted by president, John Pyke and Brisbane chairman Arthur B. Palmer. At the time Penny was the youngest RQAS artist to receive this award. Also up for consideration around this time was Phyllis Schneider, who had been a member since 1964, and from 1986 she served as the Society librarian until her passing in February 2004. She was posthumously made a Fellow that year. In 2005 Esther Austin, Dr Grahame Readshaw and Gold Coast member Peter Abraham were appointed Fellows. Esther had served as president and had over 14 Solo exhibitions to her credit, exhibiting at Logan and Port Moresby including a retrospective of her work at the Logan Art Gallery in 2004.[xii] Dr Readshaw had been a member since 1971 and had extensively written on painting techniques with a number of articles published in Australian Artist, as well as two books. Sadly he passed away in April 2015.

Peter Abraham was a gifted draughtsman and in his first solo show at the Moreton Galleries in April, 1948, the Queensland Art Gallery purchased one of his works[xiii] − not bad for someone only 21 years old. He won some prestigious prizes during his career including the Crouch Prize in 1962. The Fellows held their first exhibition as a group at the RQAS in July/August, 2004, which was opened by renowned Queensland artist John Rigby. Sixty-three works were displayed by the 10 Fellows exhibiting, with Phyllis Schneider represented by works from her estate, and Ethel Williamson providing work from her late husband. In April/May 2006 the second exhibition of RQAS Fellows was held and opened by artist Dale Marsh, with Esther Austin, Peter Abraham and Dr Grahame Readshaw exhibiting for the first time. Margaret Olley’s etching Turkish Pots & Lemmon was loaned to the exhibition by Phillip Bacon Galleries, with Mary Norrie and George Williamson represented in works from private collections and the RQAS collection.

The list of names grew and five more Fellows were inducted in 2006. Margaret Raymond, Glen Gillard, Win Robbins, Brian Williams and Peter Hubbard had their awards presented to them by Dr Irene Amos. Margaret Raymond had a long association with the RQAS and had also served as librarian for many years, and was an associate of the Royal South Australian Society of Arts as well as illustrator of a number of books. Glen Gillard is the painter’s painter, at home in oils and watercolours, and excelling in still life, landscape and portraiture. He was a finalist in the 1990 Doug Moran Portrait Prize and has had a successful career painting murals, his first commission being at Bowen in 1989. Win Robbins had the distinction of being the longest living serving member of the RQAS, having joined in 1943[xiv]. She was attached to the Gold Coast branch, serving as secretary and president as well as president of the Brisbane branch. She was a fine portrait painter and a finalist in the 1958 Archibald Prize. She passed away in 2011. Brian Williams had been a member since the late 1950s, and had always promoted the Society in any way he could. He was a gentle, articulate man and a painter of quality. He was the last Society artist to have a work, Cleaning Fish, acquired by the Queensland Art Gallery from an RQAS annual exhibition in 1960.

Peter Hubbard’s involvement with the RQAS began in the early 1960s, though his art career had a considerable gap. He returned to painting in the late 1980s and reacquainted himself with the RQAS. He is currently the Society’s gallery director. Others nominated around this time included Donald P. Vernon and Sue Victorsen, but both declined the nomination. On 9 August, 2008, John Massy opened the 3rd Fellows’ exhibition comprising 66 works from 18 Fellows. Some delightful works were on display including the monochromatic watercolour Wynnum by Dr Grahame Readshaw, Banksias by Peter Abraham, Impish Self Portrait by Peter Hubbard (showing his quirky side) and the delightful Goat Boy by Brian Williams. The entire exhibition oozed charm.[xv] Six years would transpire before another four Fellows would be appointed, namely Society president, Dr Kay Kane, and RQAS stalwarts Max Butler, Irene McKean and Sue Victorsen. Their awards were presented at the 2012 AGM by RQAS Inc. president, John Pyke.

In September 2013 the 4th Fellows’ exhibition was held under the title The Fellows’ Choice, and for the first time only living fellows had their work on display. The exhibition was officially opened by the state member for Bardon, Saxon Rice MP. This was also the first Fellows’ exhibition in the Society’s new premises at Petrie Terrace. In reviewing the exhibition, Greg de Silva stated: “I venture to suggest getting together an exhibition of Fellows’ work, including work from Fellows now deceased, would produce an exhibition of even more diverse and outstanding work, while further revealing the strength in depth of members of the Royal Queensland Art Society.”[xvi] On the 29 September, 2013, Greg de Silva, Beverly Tainton and Francis Rowland-Wregg also joined the ranks of the RQAS Fellows. Once again RQAS Inc. president John Pyke did the honours in presenting the awards. Greg de Silva said “They don’t come along every day, and to be acknowledged by your peers is humbling and a very nice thing. Bev, Frances and I will continue with our art careers and we are now ambassadors for the Royal Queensland Art Society so we will keep working for the betterment of the arts.”[xvii]

The 5th Fellows’ exhibition was held in May/June 2015 and opened by arts patron, John Massy to a capacity crowd. He remarked that just because you have made it as a Fellow doesn’t mean your job is done − you have an obligation to keep producing work of a high standard and to continue promoting the RQAS and the visual arts. What’s been written is but a glimpse of the history of the RQAS “Fellows” and the contributions they made for a better cultural life in Queensland.

Greg de Silva, FRQAS

[i] Keith Bradbury & Glenn R. Cooke, Thorns & Petals: 100 Years of Royal Queensland Art Society, RQAS Brisbane, 1988; Minutes 9 May, 1989

[ii] Fellowship Sub-Committee Meeting, 24 May, 1988

[iii] Sub-Committee report, 13 April, 1988

[iv] Ibid

[v] G. Maclean Offner Letter to Irene Amos, 27 July, 1988

[vi] RQAS Newsletter, July/August, 1992

[vii] Margaret Olley Letter to RQAS

[viii] Application for Membership, 24 December, 1987

[ix] Greg de Silva, Knowledge and Skills: The Art of George D. Williamson (1927-2000), RQAS, 2002

[x] George Williamson Letter to RQAS, 28 April, 1992

[xi] Mary Norrie letter to RQAS, 4 November, 1996

[xii] Karen Kane & Greg de Silva, Royal Queensland Art Society Inc. 3rd Fellows Exhibition, 9 August-5 September, 2008

[xiii] Art Sale, Telegraph, 20 April, 1948

[xiv] Bradbury & Cooke, op. cit

[xv] RQAS Newsletter, September/October, 2008

[xvi] Greg de Silva, “Good Artistic Choices”, RQAS Newsletter, October, 2013

[xvii] Douglas Estwick, “Talented threesome receive fellowships, South-West News 29 January, 2014