Author Archives: Lou-Anne

Winners – 2026 Queen’s Wharf Brisbane Art Prize

The Royal Queensland Art Society would like to congratulate all the winners in the 2026 Queen’s Wharf Brisbane Art Prize!

Thank you also to our judges Mostyn Bramley-Moore, Sally Brand and David Henderson F.R.Q.A.S, and also our exhibition sponsors The Star Brisbane and Queen’s Wharf. Please scroll down to view the winning artworks and judges’ comments.


Overall Winner

RE_woke

by Leigh Schoenheimer

Re-Woke represented for the judges both a sincere tribute to a specific environment and a successfully resolved attempt to address some of the challenges and paradoxes facing our local landscapes in the 21st century. Painted on twin panels whose imagery juxtaposes those complementary principles which dominate all human affairs, Nature and Culture, RE_woke raises questions about the inherent difficulties of reconciling technology and development with the environment. The encounter between these diametrically imposed imperatives is thoughtfully presented: on one side, loosely applied paint and lyrical colour bring to mind the vital energy of the cycles of nature, on the other, a hard-edged, industrial aesthetic prevails. The judges admired not only the effective way in which the work presented the drama of these contrasting ideals, but also hope for their reconciliation, expressed though harmonies of colour which recur on both sides. This is an accomplished work which not only confronts topical issues but speaks about their complexities by means of a highly wrought pictorial language: the judges were unanimous in declaring it the winner.


Highly Commended

Unfurled at Walking Pace

by Alexandra Matthews

According to the judges, Unfurled at Walking Pace succeeded admirably in meeting the challenge which faces all painters in general and representational painters in particular: that of reconciling a profusion of detail with the need to maintain an overall unity. All of those features which best evoke our city’s identity are present here: the hilly topography, a distinctive architectural style and sub-tropical vegetation; all are woven together seamlessly. This is an image that speaks of both the quiet pleasures of domestic life and a reassuring sense of community, one which avoids sentimentality by its clarity of vision, all-pervasive luminosity and compositional rigour.


Highly Commended

This Cradled Coast

by Kym Mullen

The Judges felt that this was one of the most technically sophisticated works in the exhibition. It is a painting which represents the landscape through equivalence rather than a literal description of appearances. The essential character of the forms, textures and movements of a teeming ecosystem are here transformed into painterly gesture, pattern and the nuanced surface of the picture itself. The artist has brought one of our city’s most characteristic natural environments to life: that enchanting, mutable world governed by the rhythm of the tides, one which is nether truly of the land or of the sea. It is an invitation to reflect on the need not only to celebrate but to safeguard these fragile environments.


Special Mention

Preservation and Progress

by Dylan Jones

The judges admired the courageous execution of this painting. In its most effective passages, a rapidly applied impasto helps build a densely coherent surface, one which echoes the architectonic nature of the subject itself. Form and message also cohere in fluid, mobile gestures appropriate to the restless movement of transport networks. A highly resolved work which embodies the dynamism and flux of the contemporary city.


Special Mention

Millions of Miles from the Madness

by Gabi Mika-Mcnaughton

The Judges felt that this was one of the most technically sophisticated works in the exhibition. It is a painting which represents the landscape through equivalence rather than a literal description of appearances. The essential character of the forms, textures and movements of a teeming ecosystem are here transformed into painterly gesture, pattern and the nuanced surface of the picture itself. The artist has brought one of our city’s most characteristic natural environments to life: that enchanting, mutable world governed by the rhythm of the tides, one which is nether truly of the land or of the sea. It is an invitation to reflect on the need not only to celebrate but to safeguard these fragile environments.


People’s Choice Award

People’s Choice Award will be announced at the conclusion of the exhibition.

Julie Sparks

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Painting is the means by which I can emulate poetry and try to evoke a relaxed and meditative mood when you view my paintings.

I paint in acrylics which as well as being rich in colour lend themselves to being used as a wash and giving the painting a translucent effect.

I enjoy painting in both realistic and contemporary styles. Colour is a big drawcard to me, whether the scene is colourful itself or I add my own bright interpretation of the subject matter. Street scenes, landscapes and foliage all lend themselves to using colours not usually associated with the subject matter. I use colours to define shadows or shapes that are not the traditional choice

The backgrounds are an active participant in the overall effect of the paintings. I will paint over paintings that may not be working and leave part of the first painting to become involved in another story.

Anne Hayes

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Anne Hayes

Anne Hayes was born in 1965 in Sydney. In 1992 she completed a Diploma in Commercial Art, majoring in Illustration and furthered her skills with an Advanced Diploma in Visual Communication in 2007. She now works as a freelance illustrator and designer, and has been
exhibiting her botanic art since 2011. She received a Gold medal for her exhibit at the Royal Horticultural Society’s Botanical Art and Photography exhibition in 2024 in London. That same year she was awarded the Celia Rosser medal for her painting, Waratah, in The Art of Botanical Illustration exhibition in Melbourne. She also won first prize in the BASA CanAssist exhibition in 2023. She has just been awarded first prize in the Natives Plants of Queensland section in the Botanical Art Society of Australia’s current exhibition at the Royal Queensland Art Society, Gold Coast. She has won a Celia Rosser Honourable Mention award at the 2022 TABI exhibition and also People’s Choice award. A finalist in the Waterhouse Art Prize in 2022 which saw her work chosen as the main image for the travelling exhibition and used in all promotional materials.

She has exhibited in the Shirley Sherwood Gallery of Botanical Art, the Hunt Institute for Botanical Documentation, Art Gallery of New South Wales and Museum of Sydney. She is a contributing member of the Florilegium Society Royal Botanic Gardens Sydney. Her work
has appeared regularly in the Australian Geographic magazine and in their Art Calendars. She exhibits regularly with TABI (The Art of Botanical Illustration) in Melbourne, Botanica in Sydney, BASA (Botanical Art Society of Australia), and the Waterhouse Art Prize.
Her work is held in the Victorian State Library collection, the Hunt Institute, the New York State Museum, as well as the Florilegium at the Royal Botanic Gardens in Sydney, Australia.

Megan Stanley

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Megan is a Brisbane‑based visual artist dedicated to creating vibrant acrylic paintings inspired by local and unique landscapes, flowers, and natural forms. Her style blends bold colour, expressive brushwork, and impressionistic influences to capture the energy, movement, and atmosphere of the places she paints.

Megan’s art has been shown at the Port Macquarie Regional Art Show, the Southside Art Markets, and various online Brisbane group exhibitions, where she continues to refine her style and art practice. She was a finalist for the Art World Studio Gallery Landscape Prize in 2019, an online finalist for the Lethbridge 20000 in 2020, and an online finalist for the Rotary Art Show in 2026.

Megan shares new paintings, works in progress, and insights into her creative process through her website and Instagram. Her practice is supported by formal qualifications in Environmental Science, Graphic Design, and a Master of Business Administration, which together inform both the visual and professional foundations of her work.

Website: meganstanleyart.com

Instagram: @meganstanleyart

Shashikant Shirsat

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Art has always been a passion of my life, even while my professional journey led me into engineering, valuing structure, precision, and connection to nature and beauty, at heart, however, I am an artist.

By creating different types of acrylic paintings and sculptures I explore form, movement, and emotion—often blending technical discipline with intuitive expression. Each piece is created with patience, passion, and respect for the process, reflecting both my analytical background and my deep love for art.

My love for art spans from fine art to abstract, including portraits, landscapes, birds, and animals to various clay sculptures including idols which I prepare every year for lord Ganesha/Ganapati festival.

Winners – 136th RQAS Members Annual Exhibition (A Mix of Media)

The Royal Queensland Art Society would like to congratulate all the winners in the 136th RQAS Members Annual exhibition – A Mix of Media, part two of an exhibition to showcase the artwork of our RQAS Brisbane Members.

Thank you also to our judges Nicola Hooper and Maria Field for judging this exhibition. Please scroll down to view the winning artworks and judge’s comments.


Section 2: Watercolour

First Prize

Golden Peony

by Hyelan Kim

Striking pattern painting pushing the boundaries of watercolour, showing it can be used beautifully with other mediums to execute a unique personal expression. Very well presented.


Second Prize


Rainforest Walk

by Lauren Le Sueur

A delightful, fresh painting with confident, painterly mark-making that celebrates the qualities of watercolour.


Highly Commended


Buttress Root Study

by Christian Bocquee

Wonderful subtle use of granulation, negative painting, restrained colour palette and good composition created a lovely moody and intimate painting.


Section 3: Photography and Digital

First Prize

The Hunt

by James Randall

This is a work that leaves the viewer wanting to know more. I absolutely love this work. It is wonderfully quirky with a fabulous colour palette that immediately captures attention. This contemporary work invites the viewer to their own interpretation, sparking engagement and curiosity. In the absence of additional context, this work encourages the viewer to bring their own reading and narratives, which I think is part of its appeal.
The artist demonstrates exceptional digital drawing skills, creating an image that is both visually sophisticated and totally engaging. The composition is wonderful, guiding the eye to spiral through the work.
The neat, understated framing has been thoughtfully considered and enhances the overall presentation. A highly accomplished piece that stays with the viewer.


Second Prize

Blue Antarctica

by Christine Hall

This is an impressive digital artwork that captures attention the moment you enter the gallery space. The artist’s sophisticated digital manipulation skills are evident throughout the work, resulting in an image that is both visually striking and conceptually engaging. The combining of elements and textures creates a dynamic eye catching surface.
Through the use of high contrast, rich tonal variation and multiple textures, the work displays the qualities of ice and water in a contemporary and compelling way. The composition is confident, balancing both abstraction and representation. The presentation is also thoughtfully considered, with strong framing that complements the work and enhances its overall impact within the exhibition space.


Section 5: Drawing

First Prize

Aglio

by Belinda Stokes

This is a commanding charcoal drawing that excels in every aspect of presentation and execution. Beautifully float-mounted and enhanced by a gorgeous deckled edge, the work immediately conveys a sense of care, confidence and professionalism. The artist’s exceptional drawing skills are on full display, with every mark contributing to a highly resolved and visually compelling image.
The composition is outstanding, balancing strength and subtlety to create a sharp, high-contrast contemporary work on paper. The rich tonal variation and meticulous attention to detail draws the viewer in, for closer observation. The museum-style framing further elevates the presentation, complementing the artwork without overpowering it. Altogether, this artwork is a sophisticated and accomplished work of exceptional quality.


Second Prize

Lamentation

by Petrit Elshani

This is a beautifully executed graphite drawing on Bristol paper that demonstrates the enduring power of traditional figurative drawing. The artist has achieved a remarkable level of precision, with beautifully observed proportions, refined tonal control and exceptional attention to detail throughout the work.
This impressive piece showcases a strong understanding of form, anatomy and the subtle qualities of graphite as a medium. Created by a young artist, Lamentation is a particularly accomplished work, reflecting patience, discipline and a mature approach to drawing. The result is a sensitive and highly resolved figurative study that needs a closer look.


Section 6: 2D Works: All Other Media

First Prize

Nowhere

by Alan Innes

This artwork is a beautiful and highly accomplished artist book that combines illustration and digital media to evoke a rich sense of place. Despite its title, Nowhere feels as though it could be everywhere.
While the work has captured Meanjin (Brisbane), it speaks to experiences and perspectives that resonate far beyond its immediate setting. The imagery is engaging, the concept is strong, and the design is thoughtfully resolved, incorporating the transparent pages scattered through the book gives the quite densely illustrated book some breathing space. The production is exceptionally polished, with the hand-binding demonstrating a high level of craftsmanship and attention to detail. Together, these elements create a work that is both visually compelling and conceptually rich.

Congratulations to the artist. This work is of an exceptionally high standard and deserves serious consideration for inclusion in the National Artist Book Competition.


Second Prize

Escher Seascape

by Owen Hutchison

This is a fabulous example of contemporary woodcut printmaking. The level of skill required to produce a five-colour+ woodcut of this complexity is outstanding, demonstrating both masterful technical ability and careful attentions to detail. The artist has achieved outstanding clarity and depth through the layering of the coloured prints, resulting in a work that is visually rich and highly accomplished.

Particularly engaging is the charming, quirky and surreal seascape itself, with the school of giant fish in the foreground creating a sense of wonder and playfulness. The composition is thoughtfully resolved, with the pelicans breaking the linear frame, the light sparkling on the water.

The work has a beautiful, calming colour palette that enhances its tranquil charm, and is presented elegantly and professionally.


Highly Commended

Springbrook

by Wayne Singleton

This artwork is a striking work that once again demonstrates this artist’s mastery of the printmaking medium. Exceptional Lino carving and printing skills are evident throughout, while the tasteful hand-colouring brings an added richness and vitality to the image. The scale of the work further enhances its impact, creating a commanding presence that draws the viewer into the scene. The composition is beautifully resolved, capturing the atmosphere of the landscape with remarkable sensitivity. There is such a strong sense of place that one can almost hear the leaves rustling in the breeze. Throughout the work, the artist displays exquisite attention to detail, balancing technical precision with an evocative and deeply engaging interpretation of the natural environment.


Highly Commended

Market Day in Penang

by Alan Innes

The artist has spoilt us for choice with their wonderful submissions, but there is particularly much to admire in this piece. This artwork showcases this artist’s keen eye for storytelling applied in a distinctive visual language. The striking papercut edge surrounding the bananas at the base of the collaged drawing is a thoughtful and engaging detail, while the carefully considered thrown shadows add depth and visual intrigue.

The narrative-driven semiological imagery draws the viewer into the work, inviting closer inspection and rewarding sustained engagement. The work, rich with symbolism and layered meaning, unfolds revealing new details over time. The work is presented to a very high standard, with excellent framing that complements and enhances the overall presentation of this accomplished and memorable artwork.

Congratulations to the artist for what appears to be a wonderful year of art making.


Section 7: Pastel

First Prize

Erolyn

by Glen Gillard FRQAS

Confident mark making showing mastery of the medium. Great understanding of composition and colour use. Beautifully presented.


Second Prize

Dark Angel

by Kathy Sullivan

Unique vision using size and stature of the dog, combined with the mood of the background, gives the subject grandeur. Excellent handling of the medium.


Young Artist Excellence Award – A Mix of Media

Sunset Service (Remake)

by Luca Masotti

The use of tone and colour, the cutout and even the excellent framing, combine to create an intimate feel that draws the viewer in for a closer look in this unique piece.


People’s Choice Award – A Mix of Media

Old Spring Hill

by Glen Gillard

Steven Whitfield

Steven Whitfield is a Brisbane-based artist with over 30 years of diverse visual storytelling experience. Beginning his career at Melbourne’s Herald Sun, Steve is an MBA-qualified creative who has worked extensively as an illustrator and graphic designer across retail, media, agencies, and government sectors.

While Steve loves experimenting with any medium, his current focus remains primarily on acrylic painting. His creative approach is rooted in versatility and thrives at the intersection of technical and imaginative world-building. His distinctive style is heavily influenced by the intricate geometry of M.C. Escher, the narrative depth of concept art, and the vibrant emotionality of Post-Impressionism. Driven by a perfectionist’s attention to detail, he explores contemporary portraiture through a lens of bold, expressive colours and precision.

Steve’s dedication to mastering this balance between commercial strategy and fine art has earned him notable recognition within the local arts community, including being named a finalist in the prestigious 2025 Brisbane Portrait Prize.

See more of Steve’s work at the links below:

https://www.swi.net.au/

https://www.instagram.com/stevewhitfieldillustration/

https://www.facebook.com/stevewillustration/

https://www.shutterstock.com/g/swi

https://www.istockphoto.com/portfolio/steve3972

Amy Ruth

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Amy Ruth’s paintings are vibrant, bold, and eye-catching. She loves using bright colours that evoke feelings of joy and delight!

Amy paints imaginative urban-themed environments, landscapes, gardens, wilderness, mountains, and character houses. The palettes of her paintings are consistently striking and vivid, bringing energy and life to her harmonious compositions.

With a background in landscape architecture and urban design, Amy’s passion for placemaking is a key influence on her art.

She aims to create an aspirational “sense of place” and a utopic vision, often inspired by her home in South-East Queensland.

Michelle Moesker

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I believe we are all born to create, and what and how we create exposes a glimpse into who we really are. I am surrounded by the natural beauty of incredible sunrises and sunsets, rolling hills, Australian native wildlife and farm animals. And I love my family life and home. Inspired by nature, my art explores a variety of mediums, notably charcoal, acrylics, collage and oils, and brings an expressive approach in mark making, brushstrokes and colour.

Starting each piece loosely, feeling the energy and freedom to create – this sets the scene of what is to follow.

For me, art is one incredible, encompassing adventure, experimenting with all mediums and nature-inspired subject matters, with the hope of bringing a smile and connection to others.

To see more of my art, visit www.michellemoesker.com

Morgan Littler

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Morgan Littler is an emerging Australian artist based in Brisbane, Queensland. Working primarily in acrylic and mixed media, her practice explores texture, materiality and the interplay between abstraction and the built environment. Drawing inspiration from nature, surfaces, landscapes and the subtle patterns found in everyday spaces, she creates contemporary works that invite quiet reflection and curiosity.

Originally from a creative and entrepreneurial background, Morgan has recently returned to a dedicated studio practice, developing a body of work characterised by layered surfaces, organic forms and a strong connection to nature. Her paintings balance structure and spontaneity, often incorporating tactile elements that encourage viewers to engage with the work beyond the purely visual.

Through her art, Morgan seeks to capture moments of beauty in overlooked details and transform familiar materials and textures into contemporary visual narratives.