Author Archives: Lou-Anne

Megan Stanley

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Megan is a Brisbane‑based visual artist dedicated to creating vibrant acrylic paintings inspired by local and unique landscapes, flowers, and natural forms. Her style blends bold colour, expressive brushwork, and impressionistic influences to capture the energy, movement, and atmosphere of the places she paints.

Megan’s art has been shown at the Port Macquarie Regional Art Show, the Southside Art Markets, and various online Brisbane group exhibitions, where she continues to refine her style and art practice. She was a finalist for the Art World Studio Gallery Landscape Prize in 2019, an online finalist for the Lethbridge 20000 in 2020, and an online finalist for the Rotary Art Show in 2026.

Megan shares new paintings, works in progress, and insights into her creative process through her website and Instagram. Her practice is supported by formal qualifications in Environmental Science, Graphic Design, and a Master of Business Administration, which together inform both the visual and professional foundations of her work.

Website: meganstanleyart.com

Instagram: @meganstanleyart

Shashikant Shirsat

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Art has always been a passion of my life, even while my professional journey led me into engineering, valuing structure, precision, and connection to nature and beauty, at heart, however, I am an artist.

By creating different types of acrylic paintings and sculptures I explore form, movement, and emotion—often blending technical discipline with intuitive expression. Each piece is created with patience, passion, and respect for the process, reflecting both my analytical background and my deep love for art.

My love for art spans from fine art to abstract, including portraits, landscapes, birds, and animals to various clay sculptures including idols which I prepare every year for lord Ganesha/Ganapati festival.

Winners – 136th RQAS Members Annual Exhibition (A Mix of Media)

The Royal Queensland Art Society would like to congratulate all the winners in the 136th RQAS Members Annual exhibition – A Mix of Media, part two of an exhibition to showcase the artwork of our RQAS Brisbane Members.

Thank you also to our judges Nicola Hooper and Maria Field for judging this exhibition. Please scroll down to view the winning artworks and judge’s comments.


Section 2: Watercolour

First Prize

Golden Peony

by Hyelan Kim

Striking pattern painting pushing the boundaries of watercolour, showing it can be used beautifully with other mediums to execute a unique personal expression. Very well presented.


Second Prize


Rainforest Walk

by Lauren Le Sueur

A delightful, fresh painting with confident, painterly mark-making that celebrates the qualities of watercolour.


Highly Commended


Buttress Root Study

by Christian Bocquee

Wonderful subtle use of granulation, negative painting, restrained colour palette and good composition created a lovely moody and intimate painting.


Section 3: Photography and Digital

First Prize

The Hunt

by James Randall

This is a work that leaves the viewer wanting to know more. I absolutely love this work. It is wonderfully quirky with a fabulous colour palette that immediately captures attention. This contemporary work invites the viewer to their own interpretation, sparking engagement and curiosity. In the absence of additional context, this work encourages the viewer to bring their own reading and narratives, which I think is part of its appeal.
The artist demonstrates exceptional digital drawing skills, creating an image that is both visually sophisticated and totally engaging. The composition is wonderful, guiding the eye to spiral through the work.
The neat, understated framing has been thoughtfully considered and enhances the overall presentation. A highly accomplished piece that stays with the viewer.


Second Prize

Blue Antarctica

by Christine Hall

This is an impressive digital artwork that captures attention the moment you enter the gallery space. The artist’s sophisticated digital manipulation skills are evident throughout the work, resulting in an image that is both visually striking and conceptually engaging. The combining of elements and textures creates a dynamic eye catching surface.
Through the use of high contrast, rich tonal variation and multiple textures, the work displays the qualities of ice and water in a contemporary and compelling way. The composition is confident, balancing both abstraction and representation. The presentation is also thoughtfully considered, with strong framing that complements the work and enhances its overall impact within the exhibition space.


Section 5: Drawing

First Prize

Aglio

by Belinda Stokes

This is a commanding charcoal drawing that excels in every aspect of presentation and execution. Beautifully float-mounted and enhanced by a gorgeous deckled edge, the work immediately conveys a sense of care, confidence and professionalism. The artist’s exceptional drawing skills are on full display, with every mark contributing to a highly resolved and visually compelling image.
The composition is outstanding, balancing strength and subtlety to create a sharp, high-contrast contemporary work on paper. The rich tonal variation and meticulous attention to detail draws the viewer in, for closer observation. The museum-style framing further elevates the presentation, complementing the artwork without overpowering it. Altogether, this artwork is a sophisticated and accomplished work of exceptional quality.


Second Prize

Lamentation

by Petrit Elshani

This is a beautifully executed graphite drawing on Bristol paper that demonstrates the enduring power of traditional figurative drawing. The artist has achieved a remarkable level of precision, with beautifully observed proportions, refined tonal control and exceptional attention to detail throughout the work.
This impressive piece showcases a strong understanding of form, anatomy and the subtle qualities of graphite as a medium. Created by a young artist, Lamentation is a particularly accomplished work, reflecting patience, discipline and a mature approach to drawing. The result is a sensitive and highly resolved figurative study that needs a closer look.


Section 6: 2D Works: All Other Media

First Prize

Nowhere

by Alan Innes

This artwork is a beautiful and highly accomplished artist book that combines illustration and digital media to evoke a rich sense of place. Despite its title, Nowhere feels as though it could be everywhere.
While the work has captured Meanjin (Brisbane), it speaks to experiences and perspectives that resonate far beyond its immediate setting. The imagery is engaging, the concept is strong, and the design is thoughtfully resolved, incorporating the transparent pages scattered through the book gives the quite densely illustrated book some breathing space. The production is exceptionally polished, with the hand-binding demonstrating a high level of craftsmanship and attention to detail. Together, these elements create a work that is both visually compelling and conceptually rich.

Congratulations to the artist. This work is of an exceptionally high standard and deserves serious consideration for inclusion in the National Artist Book Competition.


Second Prize

Escher Seascape

by Owen Hutchison

This is a fabulous example of contemporary woodcut printmaking. The level of skill required to produce a five-colour+ woodcut of this complexity is outstanding, demonstrating both masterful technical ability and careful attentions to detail. The artist has achieved outstanding clarity and depth through the layering of the coloured prints, resulting in a work that is visually rich and highly accomplished.

Particularly engaging is the charming, quirky and surreal seascape itself, with the school of giant fish in the foreground creating a sense of wonder and playfulness. The composition is thoughtfully resolved, with the pelicans breaking the linear frame, the light sparkling on the water.

The work has a beautiful, calming colour palette that enhances its tranquil charm, and is presented elegantly and professionally.


Highly Commended

Springbrook

by Wayne Singleton

This artwork is a striking work that once again demonstrates this artist’s mastery of the printmaking medium. Exceptional Lino carving and printing skills are evident throughout, while the tasteful hand-colouring brings an added richness and vitality to the image. The scale of the work further enhances its impact, creating a commanding presence that draws the viewer into the scene. The composition is beautifully resolved, capturing the atmosphere of the landscape with remarkable sensitivity. There is such a strong sense of place that one can almost hear the leaves rustling in the breeze. Throughout the work, the artist displays exquisite attention to detail, balancing technical precision with an evocative and deeply engaging interpretation of the natural environment.


Highly Commended

Market Day in Penang

by Alan Innes

The artist has spoilt us for choice with their wonderful submissions, but there is particularly much to admire in this piece. This artwork showcases this artist’s keen eye for storytelling applied in a distinctive visual language. The striking papercut edge surrounding the bananas at the base of the collaged drawing is a thoughtful and engaging detail, while the carefully considered thrown shadows add depth and visual intrigue.

The narrative-driven semiological imagery draws the viewer into the work, inviting closer inspection and rewarding sustained engagement. The work, rich with symbolism and layered meaning, unfolds revealing new details over time. The work is presented to a very high standard, with excellent framing that complements and enhances the overall presentation of this accomplished and memorable artwork.

Congratulations to the artist for what appears to be a wonderful year of art making.


Section 7: Pastel

First Prize

Erolyn

by Glen Gillard FRQAS

Confident mark making showing mastery of the medium. Great understanding of composition and colour use. Beautifully presented.


Second Prize

Dark Angel

by Kathy Sullivan

Unique vision using size and stature of the dog, combined with the mood of the background, gives the subject grandeur. Excellent handling of the medium.


Young Artist Excellence Award – A Mix of Media

Sunset Service (Remake)

by Luca Masotti

The use of tone and colour, the cutout and even the excellent framing, combine to create an intimate feel that draws the viewer in for a closer look in this unique piece.


People’s Choice Award – A Mix of Media

The People’s Choice Award will be announced at the end of the exhibition.

Steven Whitfield

Steven Whitfield is a Brisbane-based artist with over 30 years of diverse visual storytelling experience. Beginning his career at Melbourne’s Herald Sun, Steve is an MBA-qualified creative who has worked extensively as an illustrator and graphic designer across retail, media, agencies, and government sectors.

While Steve loves experimenting with any medium, his current focus remains primarily on acrylic painting. His creative approach is rooted in versatility and thrives at the intersection of technical and imaginative world-building. His distinctive style is heavily influenced by the intricate geometry of M.C. Escher, the narrative depth of concept art, and the vibrant emotionality of Post-Impressionism. Driven by a perfectionist’s attention to detail, he explores contemporary portraiture through a lens of bold, expressive colours and precision.

Steve’s dedication to mastering this balance between commercial strategy and fine art has earned him notable recognition within the local arts community, including being named a finalist in the prestigious 2025 Brisbane Portrait Prize.

See more of Steve’s work at the links below:

https://www.swi.net.au/

https://www.instagram.com/stevewhitfieldillustration/

https://www.facebook.com/stevewillustration/

https://www.shutterstock.com/g/swi

https://www.istockphoto.com/portfolio/steve3972

Amy Ruth

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Amy Ruth’s paintings are vibrant, bold, and eye-catching. She loves using bright colours that evoke feelings of joy and delight!

Amy paints imaginative urban-themed environments, landscapes, gardens, wilderness, mountains, and character houses. The palettes of her paintings are consistently striking and vivid, bringing energy and life to her harmonious compositions.

With a background in landscape architecture and urban design, Amy’s passion for placemaking is a key influence on her art.

She aims to create an aspirational “sense of place” and a utopic vision, often inspired by her home in South-East Queensland.

Michelle Moesker

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I believe we are all born to create, and what and how we create exposes a glimpse into who we really are. I am surrounded by the natural beauty of incredible sunrises and sunsets, rolling hills, Australian native wildlife and farm animals. And I love my family life and home. Inspired by nature, my art explores a variety of mediums, notably charcoal, acrylics, collage and oils, and brings an expressive approach in mark making, brushstrokes and colour.

Starting each piece loosely, feeling the energy and freedom to create – this sets the scene of what is to follow.

For me, art is one incredible, encompassing adventure, experimenting with all mediums and nature-inspired subject matters, with the hope of bringing a smile and connection to others.

To see more of my art, visit www.michellemoesker.com

Morgan Littler

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Morgan Littler is an emerging Australian artist based in Brisbane, Queensland. Working primarily in acrylic and mixed media, her practice explores texture, materiality and the interplay between abstraction and the built environment. Drawing inspiration from nature, surfaces, landscapes and the subtle patterns found in everyday spaces, she creates contemporary works that invite quiet reflection and curiosity.

Originally from a creative and entrepreneurial background, Morgan has recently returned to a dedicated studio practice, developing a body of work characterised by layered surfaces, organic forms and a strong connection to nature. Her paintings balance structure and spontaneity, often incorporating tactile elements that encourage viewers to engage with the work beyond the purely visual.

Through her art, Morgan seeks to capture moments of beauty in overlooked details and transform familiar materials and textures into contemporary visual narratives.

Christine Velde

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Christine Velde is a watercolour artist whose art aims to emerge another into a different culture and ways of being. Her paintings bring back treasured memories of not just visiting as a tourist where one just flows through, but actually living in another culture, which is a vastly different experience.

Christine’s paintings represent her memories of travel to exotic places in Europe, the Middle East, North Asia and South East Asia. They are considered “exotic” or “foreign,” because they are generally characterized by vibrant, unfamiliar and diverse cultural themes.
At times, Christine has taken breaks from her main painting focus. For example, when she became inspired by some of the European masters which resulted in a more figurative style. These breaks in Christine’s work show her adaptability to different materials and processes. Christine paints from her own photographs which she has taken during her travels.

Winners – 136th RQAS Members Annual Exhibition (Painting and Sculpture)

The Royal Queensland Art Society would like to congratulate all the winners in the 136th RQAS Members Annual exhibition – Painting and Sculpture, part one of an exhibition to showcase the artwork of our RQAS Brisbane Members.

Thank you also to our judges Marcel Desbiens and Judy Hamilton for judging this exhibition. Please scroll down to view the winning artworks and judge’s comments.


Section 1: Oil and Acrylic Painting

First Prize

Granite Form Compositions

by Tim Dennis

I really like the unusual paint texture, an original way to create a realistic effect. Massive granite boulders, surging white water, a stormy sky. The coast at its most wild and beautiful.


Second Prize

Spirits by the Sea: Twilight

by Dr Kay Kane FRQAS

Muted tones, flowing trees and ethereal figures create a beautifully dreamlike atmosphere. There is a quiet melancholy to this work – the last light of day fading into darkness. Magical and poetic.


Highly Commended

Adeline Falls, Blue Mountains

by Casey Charles

Meticulous brushwork bordering on photorealism. Dramatic light floods the falls against deep shadowed walls, drawing the eye upward in quiet reverence. A deeply meditative connection to the natural world. Beautifully achieved.


Highly Commended

Adder Rocks

by Jo Cochrane

Impressive paint application with a soothing result. Confident realist technique with beautifully varied textures and a light, atmospheric sky that perfectly complements the detailed foreground.


Young Artist Excellence Award – Painting and Sculpture

Lake Moogerah

by Isaac Liaw

Surprisingly well composed for a young artist. The eye travels naturally from foreground to background, a classic Renaissance technique. Calm colours and expressive brushwork bring it to life. Keep painting!


Section 4: 3D and Sculpture

First Prize

Mamma Moona

by Zygmunt Libucha

A wonderful sculpture. There is so much suppressed energy in this piece. The woman’s face is a wonderful construct of lines – the nose, the secret little smile. There would never be a dull moment with this sculpture.


Second Prize

Rust and Reel

by Angelo Marasigan

Clever use of found ‘stuff’. The cogwheel at the top may be the sun but it signifies the passage of time. Clever combinations of materials, full of life.


People’s Choice Award – Painting and Sculpture

Adder Rocks

by Jo Cochrane

Lezah Gant-Gildea

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Lezah Gant-Gildea (also known as Lezah Gildea-Marega) has been drawing and making art for as long as she can remember. It was 2007 when she enrolled in the Degree of Fine Arts at Griffith University, completing her major in oil painting by 2009 before she felt it  necessary to turn her mind to commercial pursuits, supporting her darling children through their education.

By that time, Lezah had been accepted as a finalist in what was then known as the Churchie National Emerging Art prize (now known as “the Churchie emerging art prize”) with her entry, an acrylic painting, entitled “Endangered Beauty I”, focusing on the threat to the Great Barrier Reef arising from climate change and pollution.  This has been a concern to which Lezah has returned in her work over the years.

Lezah’s painting, featuring Brisbane floodwaters and mud banks, was also accepted for the curatorial selection shown in the Tattersall’s Club Landscape Art Prize exhibition in what was one of only two years, as far as Lezah is aware, when the Prize was open to entries, other than by invitation.  

Lezah has recently returned to Griffith University on a part time basis with the aim of completing the Degree of Fine Arts and hoping to then undertake Honours in painting. As well as painting, Lezah has a love of drawing, particularly in charcoal and ink.

Lezah is continuing through her current work to explore man’s relationship with the environment and our collective responsibility for its care, with a focus on the Great Barrier Reef. 

For more information on her art and practice, visit her website HERE