Author Archives: Rochelle

Women’s Work: Celebrating the Female Contribution To The Arts

This year to celebrate the RQAS’s legacy of strong female artists we are holding our augural Women’s Work Exhibition and fundraiser!

Dates: 27thFebruary till 17thMarch 2019

 

Gala Opening Event:  6pm – 9:30pm Saturday 2ndMarch 2019

Tickets $10

 

Panel Discussion Women in the Arts: 2pm – 4pm Saturday 10thMarch 2019

Tickets adult- $10 student – $5

 

This International women’s day in conjunction with women’s charity – Share the Dignity, the Royal Queensland Art Society’s Petrie Terrace Gallery will be celebrating our legacy of strong female artists by holding the inaugural Women’s Work exhibition and fundraiser.

The RQAS has a long history of strong female artists in our organisation, over the years we’ve been lucky to count Caroline Barker, Vida Lahey, Daphne Mayo, Irene Amos, Ada Richardson, Margaret Olley among our membership. We currently have a female President – Margaret Thomas and two female gallery directors – Rochelle Lindquist and Vashti-Sita Bardsley.  If you scroll to the bottom of this post you can see some archival pictures of some of our celebrated female members.

This exhibition will bring together a diverse range of work, more than 100 pieces will be displayed by over seventy artists working across different mediums and disciplines.  Our artists will deliver work that responds to the following themes; the female contribution to art, equality in the workplace and the concept of Women’s Work.

The gala opening event will include a speech by the founder of Share the Dignity Rochelle Courtenay, live music and the auctioning off of an artwork by celebrated Brisbane artist Sarah Hickey, all funds raised from this auction will go to Share the Dignity along with half of the ticket sales from both events.

The Auction

Share the Dignity

This beautiful piece ‘Merged’ by Sarah Hickey was completed following her residency in Tweed River Regional Gallery. This Gaia inspired, mixed media piece balances a raw, passionate technique and palette with subtlety and softness, the juxtaposition of these opposing elements leave the viewer at once confronted and comforted by the work. Sarah has generously donated this piece to be auctioned off at the opening the full proceeds from this auction will go to Share The Dignity.

Sarah Hickey is our featured artist for this exhibition, she has been good enough to donate her time, her expertise and her work to this show. Sarah discusses why this show is important to her below.

“I am passionate about women reaching parity in a number fields, including the Arts. Women are central to my practice – their images in the contemporary world of painting, their depiction throughout history, the mythology and archetypes surrounding them, an understanding of myself as a woman in the world and an exploration of female empowerment and strength dating back to Pagan times. On the one hand, gender is a flexible, fluid concept and shouldn’t restrict creative expression, success, equality and respect. However when you read about the statistics particularly in regards to pay and working conditions, it is glaringly obvious we still need to do the work under the gender category of ‘Women’.” Sarah Hickey.

You can get your tickets for the opening night here.

The Panel Discussion

Our Panel Discussion Women in the Arts will bring together key figures in the Brisbane art world to discuss the multi-faceted issues faced by women in the art world. Panelists include Sarah Hickey and Emily Devers, there are still a couple of panelists to be confirmed await our updates.

Sarah Hickey – artist and art teacher.

Bio: Hickey’s series of female idols are inspired by images of women from a variety of contexts, histories and worlds. The complex layering of imagery and patterns depict beauty, spiritual iconography and the feminine.

After completing bachelor degrees in fine arts and education, and then five years of teaching art in Queensland high schools, Sarah Hickey started to produce art professionally after a long hiatus from her own creative practice.

Hickey has held eleven solo shows and participated in over thirty group shows. A finalist in the Redland Art Awards, Xstrata Percival Portrait Award, Clayton Utz Art Award, Marie Ellis OAM Drawing Prize, The Mandorla Art Award, Kenilworth Painting Prize, Lethbridge 10000 Art Award and $20, 000 Metro Pearls Competition; her work was featured in Curvy magazine.

Emily Devers – Gallery Director and Artist.

Emily Devers is a Brisbane based contemporary painter who develops pertinent and timeless concepts through both her gallery work and large scale murals. As well as a painter, she is the Director of annual public art festival Sea Walls Australia, Facilitator on the Flying Arts Touring Team, and Owner / Director of contemporary Art gallery The Third Quarter. After graduating from a Fine Arts degree at QUT, Emily has been participating in the Brisbane Arts scene for 10 years as Artist, Facilitator, Mentor, Industry Professional and now Curator. You can see Emily’s large scale artworks across Australia in Melbourne, Sydney, Adelaide and Tasmania, and internationally in San Diego, Mexico, Hawaii, Morocco and New Zealand.

You can get your tickets for the panel discussion here.

Make sure you get along to these events and support this fantastic cause!

And now for your enjoyment here are a few archival photos of some of the best and brightest women to grace the RQAS with their presence.

An article in Queensland Newspaper featuring several members of the RQAS

The Royal Queensland Art Society “Fellows” – a potted history

The history of the Royal Queensland Art Society “Fellows” began in the late 1960’s when grading of membership was discussed by council, however it was put on the continual backburner for a couple of decades. The society did have Honorary Life Members as well as Honorary or Privileged Members, the later often awarded to folk who supported the RQAS for long periods of time, however many of these folk were excluded from voting rights at AGM’s and meetings. Life membership was first awarded in 1907, with renowned sculptor Harold Parker the first. Others to be awarded this honour included: Daphne Mayo, L.J. Harvey, Dr James V. Duhig, Melville Haysom, Caroline Barker, Harold & Agnes Richardson, Nan Paterson[i]and Karen Kane, the longest serving secretary with the RQAS. When the society held its centenary exhibition in 1987, it looked again at its history and reignited the discussion for the status of members, including Fellows. In April/May, 1988 a sub-committee comprising: Betty Manzie, Ada Ludlow, Dianna Martin, Mary Norrie, Beth Woo and Sheelah Mee, along with Glenn R. Cooke from the Queensland Art Gallery once again considered Fellows as an important addition of the RQAS

The inaugural proposed list consisted of Irene Amos, Nevil Matthews, John Rigby and William Robinson to form a foundation fellowship,[ii]with additional names later being added: Dr Lloyd Rees, Margaret Olley, Don Hamilton, Patricia Prentice, Ann Thompson and Madonna Staunton.[iii]All these artists were connected to the RQAS as former members, with only Irene Amos and Don Hamilton currently active with the society. The only artist with basically no real connection to the RQAS was William Robinson. The rules discussed were that the recipients have made obvious commitment to the arts outside the society as in exhibition, awards, education, publication and the general promotion of the visual arts. All the artists mentioned here fulfilled these qualities, however the important requirement of [must be a member], disqualified most of the names put forward. Betty Manzie stated: “Let’s face it – if these artists think we are so far down the road, they will not want to help us raise our standards, in which case we forget the whole thing.”[iv]Glenn R. Cooke believed that this direction of appointing Fellows was necessary for the future development of the society.[v]

In August, 1991 the RQAS was incorporated into the new Friendly Societies Act, with former president, G. Maclean Offner rewriting the society constitution, and in so doing opened the doors for the introduction of “Fellows”. On the 19 July, 1992,[vi]the inaugural RQAS “Fellows” were awarded to Margaret Olley, Dr Irene Amos and Dr George D. Williamson. Margaret Olley was well known in art circles in Queensland and nationally, however her involvement with the RQAS was as a student in the early 1940’s, although little involvement had occurred since. She was unable to attend the presentation due to other commitments.[vii]Dr Irene Amos had been a member of the RQAS since 1961 and had achieved many things in her career. She was the first woman to receive a Doctorate in Creative arts at the University of Wollongong in 1990 and in 1991 was awarded the Order of Australia Medal (OAM) for her services to the arts in Queensland. Dr George D. Williamson had only been a member since 1987[viii]but has been a supporter of the RQAS for many years in selecting a number of annual exhibitions during the 1960’s and 1970’s, as well as presenting lectures and talks to society members on art related topics. He promoted the arts through the Queensland Education Department and he received an Honorary Doctorate in Cultural Education from the World University in Arizona, USA in 1988[ix]. He was attached mainly to the Gold Coast branch and served as their president a number of times. On receiving this honour, Williamson said: “I shall endeavour to be a worthy fellow in the high standards and traditions of the society”.[x]

Ada Ludlow was the first woman to be elected president of the RQAS and had an extensive exhibition history outside the RQAS. She was also the society gallery director and in 1995 she was the fourth to be appointed a Fellow. The following year Mary Norrie was appointed, and she felt honoured to be invited to join such a famous group.[xi]Seven years would go by until others would be nominated as Fellows, and in 2003 four more would join this prestigious group. At the AGM in October watercolourists Don Hamilton and Charles Ludlow, along with Audrey Gibbs and Penelope Gilbert-Ng were presented their awards by Dr Irene Amos, assisted by president, John Pyke and Brisbane chairman Arthur B. Palmer. At the time Penny was the youngest RQAS artist to receive this award. Also up for consideration around this time was Phyllis Schneider, she had been a member since 1964, and from 1986 she served as the society librarian until her passing in February 2004. She was posthumously made a Fellow that year. In 2005 Esther Austin, Dr Grahame Readshaw and Gold Coast member, Peter Abraham became appointed Fellows. Esther had served as president and had over 14 Solo exhibitions to her credit exhibiting at Logan and Port Moresby including a Retrospective of her work at the Logan Art Gallery in 2004.[xii]In 2018 she was awarded an Order of Australia Medal  (OAM) for her services to the visual arts. Dr Readshaw had been a member since 1971 and he had extensively written on painting techniques and had a number of articles published in Australian Artist, as well as two books. Sadly he passed away in April 2015.

 

Peter Abraham was a gifted draughtsman and in his first Solo show at the Moreton Galleries in April, 1948, the Queensland Art Gallery purchased one of his works[xiii]not bad for someone only 21 years old. He won some prestigious prizes during his career including the Crouch Prize in 1962. The Fellows held their first exhibition as a group at the RQAS in July/August, 2004. The exhibition was opened by renowned Queensland artist John Rigby, 63 works were displayed by the 10 Fellows exhibiting, with Phyllis Schneider represented by works from her estate, and Ethel Williamson providing work from her late husband. In April/May, 2006 the second exhibition of the RQAS Fellows was held and opened by artist Dale Marsh, with Esther Austin, Peter Abraham and Dr Grahame Readshaw exhibiting for the first time. Margaret Olley’s etching Turkish Pots & Lemmonwas loaned to the exhibition by Phillip Bacon Galleries, with Mary Norrie and George Williamson represented with works from private collections and the RQAS collection.

The list of names grew and five more were inducted as Fellows in 2006. Margaret Raymond, Glen Gillard, Win Robbins, Brian Williams and Peter Hubbard had their awards presented to them by Dr Irene Amos. Margaret Raymond had a long association with the RQAS and had also served as librarian for many years, and was an associate of the Royal South Australian Society of Arts, as well as illustrating a number of books. Glen Gillard is the painter’s painter, at home in oils and watercolours, and excelling in still life, landscape and portraiture, He was a finalist in the 1990 Doug Moran Portrait Prize, and has had a successful career in painting murals, his first commission was at Bowen in 1989. Win Robbins had the distinction as the longest living serving member of the RQAS, having joined in 1943[xiv]. She was attached to the Gold Coast branch, serving as secretary and president as well as president of the Brisbane branch. She was a fine portrait painter and was a finalist in the 1958 Archibald Prize. She passed away in 2011. Brian Williams had been a member since the late 1950’s, and had always promoted the society in any way he could. He was a gentle articulate man and a painter of quality. He was the last society artist, whose work Cleaning Fish was acquired by the Queensland Art Gallery from an RQAS annual exhibition in 1960.

Peter Hubbard’s involvement with the RQAS began in the early 1960’s and although his art career had a considerable gap, he returned to painting in the late 1980’s and reacquainted himself with the RQAS. He also served as society gallery director for a number of years. Others nominated around this time included Donald P. Vernon and Sue Victorsen, but both declined the nomination.  On 9August, 2008, John Massy opened the 3rdFellows exhibition comprising 66 works from 18 Fellows. Some delightful works were on display including Dr Grahame Readshaw’s monochromatic watercolour, Wynnum, Banksiasby Peter Abraham, Impish Self Portrait by Peter Hubbard, showing his quirky side and the delightful Goat Boyby Brian Williams. The entire exhibition oozed with charm.[xv]Six years would transpire before another four would be appointed, with society president, Dr Kay Kane, and RQAS stalwarts, Max Butler, Irene McKean and Sue Victorsen. Their awards were presented at the 2012 AGM by RQAS Inc. president, John Pyke.

In September, 2013 the 4thFellows exhibition was held under the title The Fellows’ Choice, and for the first time only living fellows had their work on display. The exhibition was officially opened by the state member for Bardon, Saxon Rice MP. This was also the first Fellows exhibition in the society’s new premises at Petrie Terrace. In reviewing the exhibition, Greg de Silva stated: “I venture to suggest getting together an exhibition of Fellows’ work, including work from Fellows now deceased, would produce an exhibition of even more diverse and outstanding work, while further revealing the strength in depth of members of the Royal Queensland Art society.”[xvi]On the 29 September, 2013, Greg de Silva, Beverly Tainton and Francis Rowland-Wregg also joined the ranks of the RQAS Fellows. Once again RQAS Inc. president, John Pyke did the honours in presenting the awards. Greg de Silva said “They don’t come along every day, and to be acknowledged by your peers is humbling and a very nice thing, Bev, Frances and I will continue with our art careers and we are now ambassadors for the Royal Queensland Art Society so we will keep working for the betterment of the arts.”[xvii]

The 5thFellows exhibition was held in May/June, 2015 and was opened by arts patron, John Massy to a capacity crowd. He remarked that just because you have made it as a Fellow, doesn’t mean your job is done, you have an obligation to keep producing work of a high standard and to continue promoting the RQAS and the visual arts. The exhibition comprised of 66 works, again with only living fellow’s, with the exception of Dr Grahame Readshaw, who had only passed away just before the exhibition opened. Audrey Gibbs won the “People’s Choice” award, as voted by the viewing public. Sadly she passed away not long after this exhibition at the age of 94. A trend was setting in and Chas Ludlow soon followed at 92 years. At the AGM that year, four more were inducted as Fellows including: Joan Cooper, Ruby Eaves, Dr Christine Kirkegard and Graham W. Smith. All were in attendance to accept their awards, except Ruby Eaves, now living in Toowoomba, was unable to attend, committee member and fellow watercolourist, Anne Roberts accepted on her behalf.

In 2016 another three were made Fellows, they were Moreen Neil, Joanne Heath and Gold Coast member, Heather Blackstock. Moreen Neil served the society for many years, and after Phyllis Schneider retired as society librarian, Moreen filled this gap for a considerable number of years. Joanne Heath’s artistic output covered sculpture, print making, painting and photography she is an all- rounder. Heather Blackstock served as Vice-President of the Gold Coast branch for a time, and this was not her only stab at nominating as a Fellow with the society. She was nominated by Win Robbins more than once[xviii]and although she presented an excellent CV, her nomination was unsuccessful at that time.[xix]It was good that she was continually nominated by her branch for her contributions to the visual arts and the RQAS, it finally paid off.

Sadly another RQAS Fellow succumbed to age, and at 96 years, Margaret Raymond passed away in May 2018, still drawing and sketching only a few weeks before she died.[xx]If a national treasure was attached to the RQAS, then Margaret Raymond could proudly wear that title, having been a loyal and active member for more than 60 years.[xxi]With the 6thFellows exhibition due to open in January, 2019, curator Peter Hubbard has assembled all Fellows with the society since inception to be on display, including those now deceased. For most of these no longer with us will be represented from the RQAS collection, with Peter Abraham, Win Robbins and George Williamson represented through private collections. The most exciting thing for Peter was the loan of a significant Margaret Olley painting for the exhibition from the Ipswich City Art Gallery collection. This exhibition will be an inspiring look at the work of these talented artists, all have contributed to the wider visual art scene, but also significantly to the RQAS.

What’s been written is but a glimpse of the history of the RQAS “Fellows” and the contributions they made for a better cultural life in Queensland.

Greg de Silva, FRQAS                                                                © Greg de Silva: May 2015; January, 2019

[i]Keith Bradbury & Glenn R. Cooke, Thorns & Petals: 100 Years of Royal Queensland Art Society, RQAS Brisbane, 1988; RQAS Minutes 9 May, 1989

[ii]Fellowship Sub-Committee Meeting, 24 May, 1988

[iii]Sub-Committee report, 13 April, 1988

[iv]Ibid

[v]G. Maclean Offner Letter to Irene Amos, 27 July, 1988

[vi]RQAS Newsletter, July/August, 1992

[vii]Margaret Olley Letter to RQAS

[viii]Application for Membership, 24 December, 1987

[ix]Greg de Silva, Knowledge and Skills: The Art of George D. Williamson (1927-2000), RQAS, 2002

[x]George Williamson Letter to RQAS, 28 April, 1992

[xi]Mary Norrie letter to RQAS, 4 November, 1996

[xii]Karen Kane & Greg de Silva, Royal Queensland Art Society Inc. 3rdFellows Exhibition, 9 August-5 September, 2008

[xiii]Art Sale, Telegraph, 20 April, 1948

[xiv]Bradbury & Cooke, op. cit

[xv]RQAS Newsletter, September/October, 2008

[xvi]Greg de Silva, “Good Artistic Choices”, RQAS Newsletter, October, 2013

[xvii]Douglas Estwick, “Talented threesome receive fellowships”, South-West News, 29 January, 2014

[xviii]RQAS Minutes, 12 May, 1992

[xix]RQAS Letter to Heather Blackstock, 21 April, 1992

[xx]Phone Conversation with Rob Raymond, 28 May, 2018

[xxi]Greg de Silva, “Arts stalwart a national treasure”, Courier-Mail, 18 June, 2018

 

[1]Keith Bradbury & Glenn R. Cooke, Thorns & Petals: 100 Years of Royal Queensland Art Society, RQAS Brisbane, 1988; RQAS Minutes 9 May, 1989

[1]Fellowship Sub-Committee Meeting, 24 May, 1988

[1]Sub-Committee report, 13 April, 1988

[1]Ibid

[1]G. Maclean Offner Letter to Irene Amos, 27 July, 1988

[1]RQAS Newsletter, July/August, 1992

[1]Margaret Olley Letter to RQAS

[1]Application for Membership, 24 December, 1987

[1]Greg de Silva, Knowledge and Skills: The Art of George D. Williamson (1927-2000), RQAS, 2002

[1]George Williamson Letter to RQAS, 28 April, 1992

[1]Mary Norrie letter to RQAS, 4 November, 1996

[1]Karen Kane & Greg de Silva, Royal Queensland Art Society Inc. 3rdFellows Exhibition, 9 August-5 September, 2008

[1]Art Sale, Telegraph, 20 April, 1948

[1]Bradbury & Cooke, op. cit

[1]RQAS Newsletter, September/October, 2008

[1]Greg de Silva, “Good Artistic Choices”, RQAS Newsletter, October, 2013

[1]Douglas Estwick, “Talented threesome receive fellowships”, South-West News, 29 January, 2014

[1]RQAS Minutes, 12 May, 1992

[1]RQAS Letter to Heather Blackstock, 21 April, 1992

[1]Phone Conversation with Rob Raymond, 28 May, 2018

[1]Greg de Silva, “Arts stalwart a national treasure”, Courier-Mail, 18 June, 2018

Final Member’s Exhibition and Holiday Closing Times

Christmas time is here and at Petrie Terrace Gallery we have the perfect picture, print or painting for you. Come by the gallery until Friday 14th December to see our last member’s show of the year “All I want for Christmas is an Artwork” and pick up the perfect gift for that someone special.

Exhibition Dates: 5th till 14th December 

Petrie Terrace Gallery (Home of the Royal Queensland Art Society)
Unit 3, 162 Petrie Tce, Brisbane Qld 4000
Phone: 07 3367 1977

 

Please note Petrie Terrace Gallery will be closed for the holiday break from the 23rd December until the 22nd January, from everyone here at the Royal Queensland Art Society Brisbane Branch and Petrie Terrace Gallery we wish you a happy and safe holiday season and an arty new year! 

 

 

Positions Available

Gallery Assistant Positions Available – Closing Date Jan 17th 2019.

 

The Royal Queensland Art Society, Brisbane Branch are looking for passionate, proactive people to join our team at Petrie Terrace Gallery.

About us:

The Petrie Terrace Gallery is owned and operated by the Brisbane Branch of the Royal Queensland Art Society (RQAS). The RQAS is a not for profit organisation and was born in 1884, formed by a group of like-minded artists and was formally established in 1887.

The objectives of the RQAS are to encourage and promote the cultivation and appreciation of the fine arts, and provide an artist hub for artists of all genres and encourage the visual arts, provide support to artists, networking opportunities and present exhibitions.

 

The following volunteer positions are available:

 

  • Library and Cataloguing Assistants.

Short Term 3 – 6 months, Volunteer Position.

 

The historic and important collection of rare books and exhibition ephemera of the RQAS Library is being digitalised and re-catalogued. We are seeking art history students, art history enthusiasts and research students to assist us in this task. This project will be a rewarding and valuable experience for anyone wanting to work in these fields. Computer and archiving skills would be an advantage though all training will be provided.

 

 

  • Gallery Assistants (Administration and Front of House)

Casual – Ongoing position, Volunteer Position.

 

Petrie Terrace Gallery are seeking casual assistants who wish to gain experience in the front of house operations of an art gallery. The role will include administration duties, sales and general enquiries, art handling, and occasional assistance in curating and promotion.  An interest in the arts and previous experience in retail and / or administration would be an advantage though all training will be provided.

 

 

 

Please forward a covering letter addressing which role you are interested in and a copy of your CV to gallery@rqas.com.au

 

For more information please contact our gallery director Rochelle Lindquist on

(07) 3367 1977 or email her at gallery@rqas.com.au

The River City Shares It’s Secrets

Opening event: Wednesday 21st November 7pm

Exhibition Dates: 20th November till 2nd Dec

Petrie Terrace Gallery is thrilled to be hosting “Brisbane Secrets” a solo exhibition of paintings and drawings by Robyn Bauer.

Brisbane Secrets follows on from her 2016 exhibition “Brisbane Stories” and delving deeper into the life of the river city. Bauer’s colourful paintings lead the viewer to hidden spots around the suburban landscape. These Brisbane scenes though sometimes unknown to the viewer conjure a familiarity and sense of nostalgia, capturing perfectly the sleepy humidity and lingering summer light of Brisbane’s inner-city suburbs. Bauer’s work translates this mood so perfectly that when gazing upon the paintings you can almost smell the petrichor.

As well as a variety of Brisbane scenes in and around the inner-city suburbs Bauer will be displaying work from her 100 Churches Project which started out as a simple visual record of various local churches but grew into a much more elaborate project combining research and documentation stretching to every corner of the urban environment.  Bauer speaks with passion on the project saying “I was fascinated by how each building where people congregated, fit into its individual landscape, with its own topography, vegetation, light and weather effects, and the ambience of urban life and shared experience. I aimed for an honest record of how that location appeared on that particular day, rather than a picturesque depiction of its “best face”. The aim of this approach was to allow a more universal experience.”

Robyn Bauer with one of her iconic Brisbane scenes.

Brisbane based artist Robyn Bauer is an institution in the Queensland Art Scene.  Besides being a celebrated artist within her own right, she is also a gifted art historian and educator taking up key positions at Queensland Art Gallery, Queensland University of Technology and the Brisbane Institute of art. Robyn is also active in the artistic community of Brisbane involved with Urban Sketchers, The RQAS and Sculptors Queensland.

Join us for the opening event on Wednesday 21st November 7pm. The exhibition continues till 2nd December and will be open 10am – 4pm every day.

For a private viewing outside of hours please contact our gallery director Rochelle Lindquist on (07) 3367 1977.

“Honouring Tradition” Kay Kane’s Solo Exhibition

Exhibition Dates: 7th – 17th November 2018

Opening event: Thursday 8th November 7pm for a 7:30 start.

Floor Talk: Saturday 10th November 2pm.

Celebrated Australian Artist Kay Kane mounted her solo exhibition “Honouring Tradition” at our own Petrie Terrace Gallery this week, this is Kay’s first solo exhibition in Australia and she’ll be exhibiting works spanning her 45-year career. Among the 49 works on display there will be portraits, still life, landscapes and figurative works including the seminal piece “Restoration of Venus”.

“Restoration of Venus” centre panel.

This 9-metre work comprises 5 panels and fills an entire wall in the gallery. Originally created for her doctorate, this monumental work depicts a series of female nudes in an Australian landscape. Employing exceptional compositional nuance and subtle moments of abstraction within the classical form, Dr Kane evokes beauty and sublimity in the scene rendering a sense of quiet and calm. The position of the subjects and the recurring motifs found in the angle of branches, flow of the figures and the position of hands guides the viewer through this scene with a natural ease not easily achieved in such a large and ambitious piece.

“Restoration of Venus” is underpinned by Dr Kane’s theoretical exploration into the depiction of feminine beauty in light of the attitudes adopted by 20th century modernists and the subversion of the female nude in popular culture.  You can flick through Dr Kane’s Exegesis available for viewing during the run of this show. Or find it online here.

This is the first time ‘Restoration of Venus’ has been exhibited since it’s showing in Crane Galleries Philadelphia, USA in 2013. Don’t miss your chance to see this amazing piece in person!

Join us for the opening on Thursday 8th November 7pm for a 7:30pm start or come by on Saturday 10th November 2pm for a floor talk by the artist herself.

Exhibition continues until Saturday 17th November, private viewings and outside of hours appointments available on request please contact our Gallery Director – Rochelle Lindquist (07) 3367 1977.

The Young Artist Award 2018

The Young Artist Award 2018 opened to a receptive crowd at our own Petrie Terrace Gallery last Wednesday 17th October. The award was officially opened by CEO of Artisan Claire Sourgnes and judged by our own fellow of the RQAS Glen Gillard.

Our Opener Claire Sourgnes Prepares to make her mark on our interactive canvas wall!
Claire honours us with the very first mark!
Claire honours us with the very first mark!

Claire Sourgnes spoke of the challenges facing young artists and shared some sound advice with our young artists on building their careers.  She then honoured us by painting the first mark on our interactive canvas wall, this fun activity will be open to all patrons until the close of the Young Artist Award, simply drop a coin in the donation jar and make your mark! The RQAS would like to thank Art Shed for sponsoring our interactive art wall for the Young Artist Award.

The brief  for the 2018 Young Artist Award called for our young artists to create work  ‘drawn from life’ and they didn’t disappoint, the variety of styles belied the unique nature of each young artists burgeoning practice.

Prizes:

Prizes were offered in two categories for the Young Artist Award 2018 separated by age, section one was open to 18-30 year olds and section two 14 -17 year olds.

"Books and Bouquets" By Claudia Anne Lee.
“Books and Bouquets” By Claudia Anne Lee.
Claudia Anne Lee with her award winning work "Books and Bouquets".
Claudia Anne Lee with her award winning work “Books and Bouquets”.

The first prize for section one (18-30 years old) went to Claudia Anne Lee for her quirky and delightful piece “Books and Bouquets” of the work our judge commented that the difficult medium of watercolour was “very nicely handled with subtle notes here and there. Design, composition, use of tone and colour indicates a sound knowledge, and promise of things to come for this artist.”

"Denim Daze" By Benjamin Dutton.
“Denim Daze” By Benjamin Dutton.
Benjamin Dutton with his award winning work "Denim Daze".
Benjamin Dutton with his award winning work “Denim Daze”.

The second prize for section one (18-30) went to Benjamin Dutton for his elegantly executed piece “Denim Daze”. Our judge noted “A simple statement, a jacket, with real consideration of design – one arm folded, and jacket slightly skewed adds interest to an ordinary subject. A nice variety of marks and convincing use of tone. Good observation.”

 

"Something Old" by Alexandra Leyshon.
“Something Old” by Alexandra Leyshon.
Alexandra Leyshon with her award winning work "Something Old".
Alexandra Leyshon with her award winning work “Something Old”.

In Section two (14-17) the first prize was taken out by Alexandra Leyshon for her disarming piece “Something Old”.  Of the work our judge noted a certain “element of sophistication and maturity in this portrait. Tone and drawing well observed. A bold and striking statement.”

There were also three highly commendeds award in section one.

"Pearl: Paste-A-Partner" By Spectator Jonze.
“Pearl: Paste-A-Partner” By Spectator Jonze.
Spectator Jonze with her award winning piece.
Spectator Jonze with her award winning piece.

A highly commended went to Spectator Jonze for her Pop-Art piece “Pearl: Paste-A-Partner”. The judge commented that the work was “nicely composed. Discordant colours adding a subtle tension, but well resolved.”

"Homage to Matisse" By Jessica Malousis.
“Homage to Matisse” By Jessica Malousis.
Jessica Malousis with her award winning work.
Jessica Malousis with her award winning work.

A second highly commended went to Jessica Malousis for her piece “Homage to Matisse” our judge commented it was “a well thought out piece with good use of warm and cool colour. Clever placement of repeating shapes – containers, chairs, stripes. Eye catching because of the drama – strong light and dark.”

"A Study in (Re) Contextualisation" By Daniel Sherington.
“A Study in (Re) Contextualisation” By Daniel Sherington.
Daniel Sherington with his award winning work.
Daniel Sherington with his award winning work.

And a final highly commended went to Daniel Sherington for his exacting work “A Study in (Re) Contextualisation”. Our judge commented “Some confident and refined pen work in this drawing.”

The Young Artist Award will be on display at Petrie Terrace Gallery until the 27th October 2018. Join us for the closing event 2pm on Saturday 27th October we will be announcing the people’s choice winners of our Hard and Agnes Richardson Drawing Prize and The Queensland Figurative 2018.

Closing event: Saturday 27th October 2pm.

RQAS Biennial 2018

The RQAS Biennial opened with a splash at our own Petrie Terrace Gallery last Wednesday 5th September. With over 150 people in attendance for the gala opening and awards night for the first of our three Biennial exhibitions, the Queensland Figurative.

From Left: Judge Lewis Miller, First Prize Winner Anton Piche, His Excellency and RQAS President Marg Thomas in front of the winning piece “Whats Unknown Between Us?”

The Queensland Figurative

This year’s Queensland Figurative has attracted some stellar artists including RQAS members such as; Peter Hubbard, Lesley Shelly, Boyd Craig, Elena Ventura, Robyn Bauer and others. Our outside selection panel picked our finalists and, in a tradition, established with the 2014 Figurative we secured another Archibald winner as our judge, Mr Lewis Miller who joined the ranks of previous Queensland Figurative judges; Wendy Sharpe and Frank Giacco. The show was blind judged and curated and hung by members not exhibiting.  To read about the opening night, read our judges’ comments and see who took out a prize click here.

A Night of Sacha Drake Fashion

We’re excited to have Sacha Drake hosting a fashion show on Thursday 13th September 7pm for 7:30pm, come along enjoy a glass of bubbles and a night of fashion and art.  Follow the link below to book your tickets now!

Click here to get your tickets!

 

Melika Adel, one of our artists in residence for the RQAS Biennial 2018.

Artists in Residence

Besides the fashion show and the gala opening we will also be hosting resident artists Babak Jamali and Melika Adel in our newly appointed Solo Studio.  Iranian artists –  Babak Jamali has a PHD in The Philosophy of Art and will be travelling from his home in Tehran to participate as one of our artists in residence during the Biennial. Melika Adel, whom some of you may know as a dedicated volunteer and our RQAS Secretary, will also be participating in the inaugural program.  Melika is fresh from completing her Masters in an Interdisciplinary Major of Creative Industries at QUT. The RQAS is pleased to have them joining us as artists in residence from 10th September until their group show in The Studio Gallery commences on the 6th November running until 17th November, keep an eye out more details to come. And contact the gallery to find the best time to visit them in the Solo Studio.

Portrait of Harold Richardson held in the RQAS permanent collection

The Harold and Agnes Richardson Drawing Prize

Following the Queensland Figurative will be the Harold and Agnes Richardson Drawing Prize. Harold Richardson was an RQAS President and our first gallery director. Richardson became involved in the society in 1940s and stayed active in the society until his passing 1984. served the society in a variety of roles during this time, though not an artist himself Harold Richardson worked tirelessly to increase the profile of the RQAS along with his wife Agnes, a talented artist and long-standing supporter of the RQAS. The HARD Prize was first established in 1984 shortly after Harold Richardson passed away, it was named the Harold Richardson Drawing Prize in his memory. Agnes Richardson continued to have a strong presence in the RQAS even after Harold’s passing and lived to celebrate her 100th Birthday. With her passing in 2008 an endowment of funds was left to the RQAS to continue the drawing prize and Agnes’s name was added to the prize in her memory.  This prestigious award celebrates the foundational skill of drawing, and has a long and proud history. You can read more about Harold and Agnes here.

And you can download an entry form for the HARD Prize here.

Pop – Up Cafe and Artist Demo Day

During the Harold and Agnes Richardson Drawing Prize we will be hosting a Pop-up Café and Artist demo day in the Gallery on Saturday 30th September. Come along and enjoy a cup of tea and some nibbles and watch one of our masterful RQAS members at work. Gayle Reichelt will be doing a pouring demonstration, Penelope Gilbert NG will be delighting us with her penchant for pastels and Dr Kay Kane will be delivering an artists talk on Tacit Knowledge and Art. Entry $5.

 

Our 2016 winner “Origin Stories, Easter Special” By David Fenoglio

The Young Artist Award

The Young Artist award returns again for this year’s Biennial! First introduced for our inaugural Biennial in 2016 and open to 17 to 30 years old, the Young artist award seeks to provide a platform for emerging artists. This year the award has expanded to include two age categories 14 – 17 and 18 – 30.  We’re excited to provide an opportunity for young artists. During the run of the show we will an interactive painting, where you can come and mark your own mark on the canvas!

To learn more about the Young Artist Award and download an entry form click here.

Such is Life – John Kane in Concert

During our Young Artist Award John Kane former lead singer for The New World Trio will be performing in a one night only concert “Such is Life” on Saturday 20th October! Follow the link to get your tickets now!

John Kane Concert

The RQAS Biennial 2018 has something for everyone, so get along to openings, events and come by the gallery to see these fantastic exhibitions!

The Queensland Figurative 2018

The packed house at the opening of the Queensland Figurative 2018

The Queensland Figurative opened last Wednesday night to a packed house of over 150 patrons. Now in its third year, this unique and prestigious prize celebrates the wealth of artistic talent on offer in the sunshine state. The exhibition was officially opened by His Excellency the Honourable Paul de Jersey AC. As the champagne flowed and the docile tones of Campbell Ross’s classical guitar wafted through the gallery anticipation built. The question on everyone’s lips was who would win the major prize of $10,000?  Our excitable crowd speculated wildly, our finalists giddy with champagne and the promise of glory.

His Excellency delivers the opening address

Our Judge Lewis Miller took to the stage and spoke of the diversity and talent on display. A hush went over the room on the cusp of the announcement the first prize winner.  The crowd jostled for position, the room was so packed that people were standing on the stairs to better see the stage.

And the winner of the Queensland Figurative 2018 is Anton Piche! Mr Piche won our first Queensland Figurative in 2014, a renowned artist whose work and list of accolades speaks for itself. Read our judge’s comments below and find links to our winner’s social media and or sites at the end of this blog.

From Left: Judge Lewis Miller, First Prize Winner Anton Piche, His Excellency and RQAS President Marg Thomas in front of the winning piece “Whats Unknown Between Us?”
“What’s Unknown Between Us?” By Anton Piche

First Prize: Cat #5 “What’s Unknown Between Us?” By Anton Piche

Judge’s Comments: After carefully considering the terms and conditions of the application for this prestigious prize, I was eventually drawn to one picture. This picture demonstrates an understanding of the problems involved in composing a figure or figures in a real observed space. I feel sure that the bulk of this picture has been drawn / painted from life. This was an important consideration for me as the judge. This is a picture that has not come about easily, but it shines out with a certain authority.

Judge Lewis Miller and Second Prize Winner Craig Amos in Front of his piece “The Long Lunch”
Craig Amos had a winning smile to match his second place winning work.

Second Prize: Cat #43 “The Long Lunch” By Craig Amos

Judge’s Comments: Second Prize goes to “The Long Lunch” by Craig Amos where a scene reminiscent of fin de siecle Parisian café / concert has been transposed onto a Queensland Bar scene starring a cocktail slurping heroine in a red dress and straw hat and a boorish drunk making his point one too many times.

Revee Bendixen with her Highly Commended piece “No More Hiding”
“No More Hiding” by Revee Bendixen.

First Highly Commended: Cat #15 “No More Hiding” By Revee Bendixen

Judge’s Comments: The first highly commended will be awarded to “No More Hiding” By Revee Bendixen which is a bold representation on a modest scale of Sapphic love, a lifelong preoccupation of the great sculptor Auguste Rodin. I liked the simplicity and immediacy of touch. 

  

Judge Lewis Miller and Anne-Marie Zanetti with her Highly Commended work “The Longing”
“The Longing” By Anne-Marie Zanetti.

Second Highly Commended: Cat # 47 “The Longing” by Anne-Marie Zanetti

Judge’s Comments: The second highly commended went to Anne-Marie Zanetti, an arresting picture, that uses photography unashamedly but succeeds by combining strong patterning with an affectionate portrait.

From Left: Judge Lewis Miller, Gina, Anton Piche, His Excellency, RQAS President Marg Thomas, Anne-Marie Zanetti and Craig Amos.

There were a total of 49 finalists in this year’s Queensland Figurative, head over to our RQAS Biennial page to see a full list of our finalists. The Queensland Figurative 2018 will be on show until Friday 21st September, drop by the gallery to see this amazing collection of talented Queensland artists and vote for our People’s Choice, the winner will received $500! Petrie Terrace Gallery is open Tuesday through Sunday 10am – 3:30pm

Anton Piche

Website:  http://www.adolphepiche.com/new-gallery/

Facebook: https://www.facebook.com/adolpiche/

Instagram: @antonpiche_art

Craig Amos

Website: http://craigamos.com/

Revee Bendixen

Instagram:  @ah.vant.guard

Anne-Marie Zanetti

Website: http://www.zanettiart.com/

Facebook: https://www.facebook.com/AnneMarieZanettiArtist/

Instagram: @zanetti_art

The Modernism Awards Night

Exhibition dates: 7th August till 31st August

 

Our first ever Modernism exhibition opened last Wednesday evening to a packed house at our own Petrie Terrace Gallery. This open exhibition called for artists to create work in the style of their favourite modernist artist or movement and our artists didn’t disappoint. A total of 59 artworks are on display by 38 artists, the ecliptic exhibition includes cubist works, fauvism, impressionism, surrealism and art nouveau to name a few.

Our judge for the exhibition was Vanessa Van Ooyen senior curator at QUT Art Museum and William Robinson Gallery. You can find her judges’ comments and a list of the winners below.

” I am Van Gogh”, by Gemma Garcia-Roman. Picture by Joanne Heath

 

1st Prize 

“I am Van Gogh” # 58 – Gemma Garcia Roman

“Gemma’s work draws upon the stories surrounding the life of the great Modernist artist, Vincent Van Gogh, cutting his ear off.

Her hand built ceramic work is playful in its exaggerated forms and colour, displaying technical skill across mediums in the hand built ceramic and portrait of Vincent. It’s a unique and witty interpretation of this great artist’s pain.”

Members of Mars Collab from left; Stephen Kelly, Margot Tidey and Cody Robb with their award-winning work “After Balson 1947”

2nd Prize 

“After Balson, 1947” # 36 – MarS Collab.

“Clever conceptual work that questions the uniqueness of the art object and ideas of authenticity inspired by one of our great Abstractionists working in this country, Ralph Balson. What will the artwork be in the future if a computer can artificially generate it? What is the nature of creativity in a world where computers are increasing the tool of choice and arbiter of knowledge.”

“Two Sister” By Olga Bakhtina.

3rd Prize 

“Two Sisters” # 8 – Olga Bakhtina

“This work reminds me of the exquisite female Modernists working in Paris in the early part of the 19th Century such as Marie Launcerin. There is a confidence in this work with its sophisticated composition, curvilinear forms, use of colour, texture and pattern. I love the balance of boldness and subtlety in this work”.

 

“It does Look like her Jackson, Just ask Miro” By Greg de Silva.

Highly Commended

“It does look like her Jackson, Just ask Miro” # 58 Greg De Silva

“Melding some of the greats of the 20th century such as Miro, Pollock and Picasso as inspiration this work brings a smile as you comprehend the huge disparity of styles in what is simply termed ‘Modernism’.”

Drop by the gallery before Friday 31st August to see this wonderful exhibition and to cast your vote for the People’s Choice Award!